Incompetent Cops (2F/4F) - Stories of Tie Up Games (2025)

Incompetent Cops
Part 1

A white SUV pulls up to the house, and out of the vehicle step two police officers in uniform. A glance at the duo shows they're on serious business and not on normal patrol. The shorter officer takes her hat off for a second to scratch her head, revealing a bandana, but she puts the hat back. Penny Nichols and Star Blue walk up to the door, certain they’ve found the right place to check.

“Gmmmm!” a blue-eyed brunette groans, but she is sucking on her captor's socks.
“Mmm mmm!” a brown-eyed brunette drools because of a 2.25 inch electric purple ball gag.
“My tall strong beauty!” a blue-eyed blonde sighs and fondles the brown-eyed girl.
“You’ll never leave!” another brown-eyed brunette erotically smooches the blue-eyed brunette.

Sarah Johnson and Genevieve Badeaux have been kidnapped by crazed, apparently lesbian, girls, a fearsome duo. Karina Nilsson and Lucille Rossi turn to each other and exchange a passionate smooch. They’re temporarily lost in the ecstasy of their relationship before the desperate pleas from the captives remind them that they're not alone. They blink their eyes and turn towards the fearful victims, who are bound and gagged and unable to help themselves. The captors smile.

The blue-eyed captive, Sarah, has long brown hair and a natural tan. She's wearing an olive skirt that comes to her knees; the soft cotton flops around her legs. Her brown long-sleeve t-shirt has a V-neck that is tantalizing for her captors. A beige bandana headband holds her hair back, and a matching olive green scrunchie holds her hair in a ponytail. Brown pantyhose and beige heels do a fine job of rounding out her outfit. She is sitting on the bed. It’s awfully dark in here.

The helpless Genevieve is wearing a tight beige mini-skirt, making it easy to see her bright pink panties. Her skin tone pantyhose and red pumps add elegance; her red turtleneck sweater and red bandana headband equal the bright pop of the shoes. Drool continuously streams off the gag in a humiliating manner; her straight dark hair comes below her shoulders. She stands in the corner.

“Mmmmmm,” Lucille approaches Genevieve from behind, smooches her, and gropes her boobs.
“Nnnnnn,” the captive shakes her head despite the arousal from her big boobs being fondled.
“Sarah, be mine,” Karina starts, but then she hears a knock on the door, “Be good… or else!”
“I’ll keep an eye on them and guard your back,” the big Italian winks at her girlfriend.

Lucille is tall and strong. She has a tight-fitting denim skirt that comes most of the way down to her knees with a red button-up three-quarter sleeve blouse. Red knee socks add a playful vibe, but black combat boots and a black bandana headband show her to be commanding as well. Her wavy brown locks bounce around her shoulders. Karina has a different style. Blue sweatpants, a pink t-shirt, a blue bandana headband are accompanied by now bare feet. Such a casual, athletic style contrasts her fellow captor’s outfit or the captive's. She smooches her girlfriend Lucille and leaves to answer the door. They’re kind of cute in their own way.

Sarah and Genevieve are bound at their ankles, knees, and lower and upper thighs with a harness and a waist rope. Genevieve has a crotch rope with her wrists and elbows tied together while she stands up, but Sarah has her wrists crossed behind her. Brown ropes do the awful deed on both.

At the door are two police officers, both wearing a standard uniform of black pants, black socks, black combat boots, black belts with utility belts, and a robin’s egg blue button-up shirt. One is a short girl, about 5’0”, and she has her blonde hair in a bun with a black bandana headband, while the other is a dirty blonde with shoulder length hair. They've found their marks.

“I’m Officer Nichols,” declares the short girl, “We received a call.”
“I’m Officer Blue,” says the other, “A call that someone saw two girls bound and gagged in this house and that they matched the descriptions of Sarah Johnson and Genevieve Badeaux.”
“Who are they? Anyway,” Karina's awful mind thinks quickly, “You may come and look.”
“Mmmm mmm mmmmmm!” Genevieve and Sarah try to alert the cops.
“Shhhhhh!” Lucille warns, “I’ll snuff you both without a thought!”

The cops carefully step into the house, ready to shoot if necessary. They know that safety comes in numbers, but they forget that numbers are useless if you’re failing to protect yourselves from a possible attack. Karina is behind their backs, and they're unaware of the dangerous Lucille being just around the corner. This is about to turn into an awful situation for the oblivious cops.

Penny is sweating with anxiety. She feels the evil emanating from this house, but she fails to see the source of it. Star, on the other hand, gets a sinking feeling in her stomach, like she’ll be sick and vomiting soon. The taller cop shakes a little, keeping a hand on her gun. Karina keeps them close by slinking behind them after taking off her shoes. They round the corner, and…

“Boom!” Lucille jumps out and tackles Penny; Lucille immediately binds Penny’s wrists.
“Gotcha!” likewise, Karina grabs Star from behind.
“Let us go, you maniacs!” Penny demands despite being in no position to make demands.
“What the f-ck are you doing?!” Star questions the kidnappers while her crossed wrists are tied.
“You incompetent cops, we're the kidnappers!” Lucille laughs while tying Penny’s elbows.
“Guh! Let us go right now!” Penny grits her teeth, “I’ll f-cking kill you both!”

Both cops have their shirts unbuttoned. While Star is less flexible and can’t have her elbows tied together, both get a harness, a trio of crotch ropes (one each over and under their panties and one over their pants), and their legs tied together at their ankles, knees, and upper and lower thighs; it is tight and unforgiving. The brown rope holds them in an awfully tight captivity.

“Untie me in 60 seconds!” Star quietly orders the kidnappers, “Or else.”

Karina takes the utility belts and other equipment out to the police SUV and drives it down the street to a secluded spot. Inside the house, Genevieve and Sarah are screaming into their gags at the realization that their only hope for freedom just joined them as kidnapping victims. The hope of feeling the sun’s rays is gone, and dread starts to set in.

Lucille removes the cop’s boots and socks, and she stuffs their socks into their mouths. Each cop gets a tight white handkerchief cleave gag as the first layer and eight layers of black duct tape as the second layer. The captor is awfully cruel and exceptionally tight in her gags, and she grins an awful lot while dragging the duo into the room with the others. She stands them near Genevieve and pulls up Genevieve’s sweater to reveal that all three have sports bras. Genevieve has red just like her sweater, and the cops have black. All three bras are moved to reveal their boobs.

“You're so sexy,” Lucy grabs each girl from behind, gropes her boobs, and smooches her cheek.
“Mmmmmmm!” the stimulation forces Star to orgasm.
“Guh huh huuuhhhhhhh!” Genevieve wails loudly as if she is ready to cry.
“Auugggghhhhhh!” Penny growls in fierce resistance.
“I expect better behavior than this!”

Lucille pins Penny face first against the wall like one hockey player boarding another; she takes a small wooden spatula and roughly spanks Penny. SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! “MMMMMMMMM!” As an act of domination, Lucille pulls leather open-faced hoods over each cop’s head and laces it up.

She resumes fondling and erotically smooching the captives, taking much pleasure in her role as a natural lesbian. She;s not sure if smooching Star’s gagged lips and getting the unwilling erotic groan, smooching Penny’s gagged lips and hearing the furious snarl, or smooching Genevieve’s cheek and hearing the pitiful wail and watching the drool stream off the ball gag is most arousing to her. All three must have their pluses and minuses in her eyes.

The overly amorous Lucille grabs Sarah and smooches her with a similar passion, but Sarah sits down on the bed again and rolls onto her stomach to resist her kidnapper’s advances. With little more than a smile, Lucille resumes playing with the other three, smooching them, and fondling their boobs with a chilling coldness. She almost vacantly does it all, smirking and smooching.

“I guess Kari and I will have to decide whether to keep you two or kill you,” Lucille shrugs.
“I don't know,” Karina happens to return right then, “They're kind of cute but troublesome.”
“Test drive them and see what you think of them. They’d be equally fun to grind or snuff.”
“Yeah, I like this dirty blonde,” Karina pulls Star towards herself for a smooch, “Nice tits.”
“Mmmmmmm!” Star pulls away and shakes her head, “Oo’ll oh hoo hail hor ith!”
“The short one has a really nice set too,” the blonde captor fondles Penny, “Let's clamp ‘em.”
“Go to jail! Hee hee!” Lucille throws her hair back, “Baby, welcome home. We’re in charge.”

Lucille and Karina embrace and erotically smooch. They seem certain of victory and embroiled in a strange, sadistic passion. Karina takes a rope and hogties Sarah from ankles to her harness; a red bandana blindfolds her. Both girls look at the cops while deciding what to do. Karina checks the hoods before grabbing a coil of rope. She undoes the coil and shakes her head with regret, as if she feels bad for what she is doing. With nary a word, Kari begins fashioning the rope around Penny’s neck, wrapping it several times to make it tight with a loop at the nape of Penny's neck. Kari turns Penny around, roughly spanks her with a SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK!, and forces her onto her belly on the bed. Penny seems unaware of what's happening until the rope wraps between her ankles and stretches back to that loop near her neck. Now, the cop begins to squirm.

“Mmmmmmm!” Penny’s movements become increasingly frantic.
“Sorry, my dear, but you have to go,” Karina shrugs while looping the rope, “Survival.”
“That gives me an idea for you,” the horny Lucille fondles and kisses (gotcha there!) Genevieve.
“That should do it,” Kari cinches the rope and knots it out of reach behind Penny’s feet.

Lucille makes a similar style of noose around Genevieve's neck, including the loop. She throws the rope over a secure hook in the ceiling and pulls the rope to a desired tightness. Genevieve is positioned so she must stand on her toes, without her heel touching the floor, or she chokes from the rope. This rope is cinched well and knotted near the hook. What an awful way to die.

“As for you, my lovely, you deserve some more direct attention,” Karina grabs the duct tape.
“No no!” Star shakes her head, but she is powerless to stop the tape from sealing her nose shut.
“Ha ha ha! Such a sweet sound of a girl shrieking because she's deprived of oxygen!”
“Nggggggggg!”
“Soooooooo sexy,” Karina smooches Star’s cheeks and gets embroiled in a moment of passion.
“Gmph,” Star is unable to stop herself from falling down from an orgasm.

Karina doesn’t leave anything on the table. I’m just the camera girl, but there is a big difference between filming this kind of scene and partaking in it. I can handle the breathplay, but the direct and obvious lesbianism is just ick for me as a straight girl. In case you’re wondering, I’m Jackie Martin, stage name Missy Mischief. I can handle filming such an awful scene, but I’m unable to be an actress in it. I could handle being the receiver minus the lesbianism, but I can’t give it.

“Awwwww,” Kari unpeels the tape on Star’s nose for a minute, “Was that suffocating?”
“Mmm hmmm!” Star cries and slumps in another orgasm that is accompanied by a sharp squeal.
“That’s such a shame. Too bad I’m not letting you go,” the blonde smothers the cop. Again.
“NGGG!” the dirty blonde-haired captive really lets it go with just 23 seconds between orgasms.
“She’s such a babe!” Lucille laughs while sitting on the bed between Sarah and Penny.
“Ukkkkkkk,” Penny makes an expression of displeasure against her strangulation. About time.

Strangulation is something that makes me squirm even while filming it. Smothering and bagging are fine in my book, but even then I’ll be uneasy. When I’m snuffed for a scene, my nose is only mostly sealed or for no longer than 30 seconds. We keep a big red timer off camera for it. These three girls take it and trust their captors to watch over them; no freaking way! I’m an actress and want to have fun and get paid for it. Play with me on camera like I play at home with you girls.

“Awww, that’s getting tight, isn’t it?” Lucille crosses her legs and looks at Penny, “Too… bad…”
“Gmmmmmmmmm!” Penny arches her back, but Lucille spanks her back into choking.
“You’re gonna die and take it like a woman, you got it, Coins?!” suddenly, Lucy is vicious.
“These cops have a lot of verve. It’s a little annoying,” Karina is a bit reflective in her torture.
“Not as annoying as a judge who sentences teenage girls to 3 years for self-defense.”
“Careful, hot stuff. Don’t go into the past,” the blonde reminds the Italian to keep in character.

Lucille grabs Penny by the bun, pulls her up off the bed, smooches her gagged lips, and puts her down on the bed again. She stands up and wordlessly adjusts Genevieve’s choke rope to be a bit tighter. A smooch follows for Penny. The French girl is in a situation where death is inevitable and only a matter of time. Drool is really streaming off the gag, and the captive orgasms.

Star is having a solo orgy with Kari constantly taping her nose shut for 30-60 seconds, removing the tape for 90 seconds, and repeating the cycle. I think Kari fingered herself into an orgasm all while smooching and rubbing the helpless cop. It’s really quite the sight with them on the floor with Star on her back and Karina on top of her. It’s not my speed, but it’s really entertaining.

Let’s not forget Ms. Sarah Johnson. Sarah doesn’t do nudity, though she’ll expose another girl’s boobs. No vibration or other methods of forced orgasm are allowed, either. She doesn’t allow it for religious reasons. On an emotional level, she’s the most interesting of us all. Her role here is to lose her mind while her three co-captives are tortured by the captors. All she knows is from a variety of sound effects since she is blindfolded. Loudest is the clack of Gen’s heels.

Still, Ms. Johnson’s struggle is my favorite of the four captives, though Star’s a star too. I really do enjoy a good bondage game, and seeing a girl like this hogtied captive really solidifies all the reasons I enjoy it. It’s thrilling and fun, a lot like skydiving, racing at the go-kart track, or riding a motorcycle. I’ve done all three purely for the sport of it, and they’re freaking awesome! That’s why I like breathplay, as a sporting aspect of bondage, and really all of bondage is a sport to me.

Sarah cannot escape much of anything ever, really. She sucks at escaping, but she’s a darling of foot fetish. This is why she’s sucking on Kari’s socks. She loves it for real. Sock gags are truly the best, but she genuinely gets an emotional high off it akin to my motorcycle thrill. We’re well aware of the dangers of our associated thrills, and we realize we’re far from invincible. That’s a big reason why, as silly as it sounds, I like to make sure my soul is right with God before I ride.

I also love the eclectic fashion style that Sarah and Genevieve enjoy. I can’t sport it every day as they do. Those outfits are just to die for, and (ha ha) Genevieve is dying for it, too. I’m more of an edgy girl. Lucille is a scrumptious mixture of eclectic and edgy that I admire just as much as the other two outfits I mentioned. Even the cop uniforms are amazing. Only Karina is a stinker.

“Mmmmmm,” I focus on Sarah’s blindfolded and gagged face, and the scene fades out.

End of Part 1

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Part 2A

We’re here for the first of the two endings to this film sequence. One way to increase sales is to make two endings to a scene. In this case, we have a snuff ending and a no-snuff ending. Or, in my eyes, they’re the awful ending and the less awful ending. I really love all of my friends, but they make lots of films that make me uncomfortable because of my beliefs. It’s a long story. I’ll one day get to narrate a story where I act. It’s fun to be on either side of a scene.

“Bleh!” Genevieve spits out the ball gag, “Please, let me go!”
“Getting smart, are you! That does it! For this, the cops die!” Lucille tries to gag her again.
“NO! You psycho-b-tches! Untie us all, right now!”
“You shut up!” the captor struggles to gag Gen, “Kari, enjoy snuffing your grinding buddy.”

Lucille and Gen play a game of cat and mouse; the tiptoe predicament doesn’t slightly break the captive’s defiance. She might be choking, but she is determined to escape this situation. With a violent spank from Lucille, Genevieve’s mouth opens with a screech of pain, and she is gagged a second time. This time, the strap is much tighter than before.

Now, Lucille goes over to Penny and redoes the strangulation hogtie, tying that rope so that there is a much shorter distance between Penny’s ankles and throat. Karina gets herself to orgasm and then seals Star’s nose for good. Sarah is trying her best to escape before she is eliminated by the impatient duo, but even if she escapes she still has to get by two girls stronger than she is.

The cops quickly succumb from the suffocation. They lie still while Genevieve, watching it all unfold before her eyes, shrieks into the gag and cries out loudly. There is nothing she can do but submit to her captors now, realizing that there is no hope for herself or for Sarah. Kari and Lucy embrace and smooch as if they’re oblivious to what they’ve just done to the cops. On this dark note, the film comes to a close with one final shot each of Gen’s drooling and Sarah’s squirming.

End of Part 2A

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Intermission

We take a few moments to adjust some things. Lucille holds Penny up in the air so that she can breathe with ease; the tape comes off Star’s nose; Genevieve’s noose is detached from the hook. I calmly massage Sarah to help her ease out of the intensity of her role before she’s back for yet another round of freaking out while the others are tortured. The other camera operator removes Genevieve’s gag and gives her a drink before gagging her again. We’re ready to go!

End of Intermission

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Part 2B

We start the film with Karina taping Star’s nose shut while Lucille holds Genevieve in the air by the noose. This allows the film to start without worrying about positions. “Sleight of hand,” as we like to call it, is an important element in these films. Lucille knots Gen into a less precarious position, tying the rope so that she can put her heels on the ground again after so much time.

“Mmmmm,” Kari and Lucy exchange another big smooch.
“Let’s let these chumps out. We’ve scared them enough,” Karina almost giggles.
“They definitely thought we were killing them. Like we’d ever,” Lucille shakes her head.
“All right, let’s get them out of the scary stuff. They’re not a bunch of cowards, though.”
“Ha ha! They’re more use to us alive than dead, anyway,” the Italian winks at her lover.
“Exactly. Now we have 4 girls to use as our playthings instead of 2!” Kari is awfully happy.

Genevieve sees an opportunity to escape now that she’s no longer getting choked. She tries to hop out of the room while her kidnappers are turned away from her, but her heels betray her with their clack upon the floor. Almost immediately, Kari and Lucy turn towards her, and Kari walks over to Gen while shaking her head. With little effort, Kari brings Gen back into the room; the captor puts her foot on a chair, throws Gen across her knee, and rapidly spanks her six times.

“You’re not a very bright captive. C’mon,” Karina motions to Sarah, “Carry her out of here.”

Karina pushes both Genevieve and Star out of the room and orders them to hop. Lucille takes a similar command of Penny and carries Sarah like a dufflebag. The three girls who were victims of breathplay move slowly, but Penny regains her energy fastest. She is chewing Kari and Lucy out through her gag, but the result is making loud noises while chewing on her socks. Yes, it is a funny sound, and it’s one that is delightful to all in the room. Yes, Penny, we love you.

The living room is standard except for the big cage on the floor, big enough to fit any girl as long as she tucks her legs into her chest. A shiver goes down each of the three hopping girl’s spines once they realize this cage isn’t there by chance; it’s deliberate. One of them is going in there if anything is to be predicted from their ordeal. They look at each other and groan.

“Well since there are two cops,” Karina thinks, “Let’s flip a coin, hmmm? Loser gets caged.”
“Heads: Star. Tails: Penny,” Lucille nods in agreement.
“NOOO!” Star shakes her head, but Kari is already flipping the coin.
“Awwwww, sorry, hottie,” Karina shakes her head in a mockery of Star’s movement, “You lost.”

Karina has this sadistic yet childish grin on her face when she grabs Star and drags her towards the crate. She pushes Star to her and slowly pushes her into the dog cage. Star kicks out as best as she can, but she can’t stop anyone when she’s tied up so tightly. She’s pushed into the crate, and the door is shut and padlocked. There is no escape for this girl. What an awful situation.

Star wails and gets lost in an orgasm. After a pause for about 30 seconds, she kicks the cage, but it’s not very effective since she no longer has her combat boots. This is it for Star, who kicks her legs four times. She is literally crying because she is too stressed after the breathplay back in the bedroom. Kari goes back to the other two, and Lucy and I carry the cage away while Kari makes an excuse about Lucille wanting to have private fun with Star.

Three of anything means she’s reached her limit; five means she needs immediate freedom; the unusual four means she's breaking character and needs to leave the scene, but she is otherwise all right. In other words, she’s done with the role but not with the bondage. I quietly open the cage, and Lucille pulls her out. I let Lucille kiss and whisper words of comfort in Star’s ear, but Star is really crying. In this case, she's completely tapped out of the scene.

“This is awesome,” Karina uses Sarah as a cuddle toy and Gen as a footrest as the film fades out.

End of Part 2B

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Aftecare

“Star, sweetie,” Lucille says afterwards upon noticing me grab my camera, “It’s OK.”
“Mmmmmmm,” Star seems exhausted by everything, and Lucille removes the hood.
“C’mon,” the Italian insists, and the spark returns to Star’s eyes.
“Mmmm,” Star points towards the ceiling, meaning she wants to be stood up. She snaps thrice.
“All right,” I interpret this to mean removing the gag, and Lucille eagerly agrees with me.

In the other room, Karina is removing the hood from Penny’s head and freeing Penny altogether. Another girl hands Penny a Gatorade while another is helping Gen and Sarah. There are many of us working together, and Sarah, Star, and Gen all like a slow release while Penny wants to be out of the bondage ASAP. Strangely, Penny doesn’t like bondage, but she loves coiling rope after.

“Put your tits back,” Kari jokingly orders Penny, who smiles and does so in a sexy way.
“Am I as cute of a rope bunny as I feel?” Star begins hopping around the room.
“Yes,” Gen says with a grin, “You’re hopping, and you were even caged like an animal.”
“Sure,” Star bends down and kisses Gen on the cheek, “But this rope bunny survived a snuffing.”
“Survive this,” Lucille grabs Star and gives her a Hollywood-style dip and kiss.
“Oooh, nice,” Star wiggles her eyebrows and hops a couple steps backwards.
“That’s nothing,” Kari comes over and repeats the dip and kiss, but she’s much more erotic in it.
“Mmmmmmmm!” the blonde captive shudders and orgasms at Kari’s kiss, “Much better.”
“Show off,” Penny playfully shoves Kari, “Gimme a massage before I hang you.”

Penny doesn’t like TUGs really, not even off screen, but she begins to describe how she gets that same rush I get when I go skydiving or I take my bike out on the freeway and feel the wind. It’s so much fun when a guy pulls up alongside me and realizes I’m a girl because I keep myself so well-guarded. How many girls ride a sportbike and enjoy a bondage game? Hearing Penny say these things is moving, especially since she talks while Kari gives her a sweet, gentle massage.

Sarah and Genevieve have their wrists untied; they’ll do the remaining steps in their own time as they prefer a slow, controlled release. The psychology of release is as intense as the psychology of imprisonment. Everyone has an unique aftercare routine although there are similarities. Star, for one, likes a slow release and often will do things like this, hopping around and joking until a person forcefully releases her. This is towards the end of a long day, and we're all tired.

“Ah, yes, hottie, hottie, hottie,” Star speaks of Lucy, Kari, and Gen in a sexual, but fun, context.
“I think I should prove to you just how hot I can be,” Kari wiggles her eyebrows, “Shall we?”
“Farewell, hotties,” the still captive girl shouts back as she is dragged towards a bedroom.
“Lucy, shall we?” Genevieve stands before the big Italian, “A quick time together?”
“We can spare 20 or 30 minutes, yeah,” Lucille smiles, and they walk out with locked arms.

Sarah and Penny look at each other and smile. With that, I stop filming and smile. After 2 hours of total preparation work, filming, aftercare, and intermission, we all need a break before we film our final scene of what has been a busy day. We're filming as Penny’s last day before she has her head cut open for brain tumor removal. She’ll be all right, but she'll be out of commission for at least 6-9 months. On that note, I bring this story to a close.

THE END

Incompetent Cops
Production Date: Wednesday, June 27, 2018

Total Duration of Films: Approximately 97 minutes

This day was super exhausting. There was one last film after this, featuring me and Kendra with three others. After the film was over, Kendra had a seizure. That night, I cried myself to sleep, but she was all right and eventually had a successful operation. In July, she was my sponsor into Catholicism, and I can't thank her enough for her friendship. That day was so awful, and I’m so glad she's still with us and still one of my best friends. She's freaking awesome.

I’ll be seeing you around some time! I’ve done a wide variety of scenes, and I hope to delight you in a future story. Thank you so much for reading this one. I hope you liked it. See ya!